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Showing posts with label Hans Holbein the Younger. Show all posts
Showing posts with label Hans Holbein the Younger. Show all posts

Tuesday, June 14, 2022

Lady in Waiting

Lady in Waiting, 2022, diptych, acrylic on canvas, 55.5 x 22.5 cm
Photo credit: Tim Gresham 

Many years ago, I inherited a swag of vintage doilies from my late aunt, Eileen Klein. I had no real use for them, but didn’t have the heart to take them to the thrift shop. For as many years again, they languished in various drawers and cupboards in the flats and houses I’ve inhabited over the decades. Lately, however, they’ve taken on a new life. In Lady in Waiting, 2022 (pictured top) and several other paintings in Rückenfigur, my upcoming solo show at Queenscliff Gallery, they’ve become the basis for my protagonists’ decorative collars and shawls. 

A couple of developmental views are below:

Lady in Waiting nearing completion, May 2022


Progress view of Lady in Waiting with doily and Hans Holbein postcards, April 2022


Images on the postcards pictured above: A Lady with a Squirrel and a Starling, Jane Seymour and Portrait of a Woman from Southern Germany by Hans Holbein the Younger (1497-1543). Holbein’s work has been a source of inspiration since my late teens when my mother presented me with a book of his drawings as a birthday gift.


Rückenfigur opens at Queenscliff Gallery on June 23 and runs to July 10, 2022.


The Opening Event is on Sunday June 26 from 2 - 4 pm.


Queenscliff Gallery 

03 4202 0942 | A 81 Hesse Street Queenscliff VIC 3225 


For further information, including an invitation to Rückenfigur, scroll down to my previous post.

Sunday, April 17, 2022

Some progress views at Easter time

On the table easel this sunny Easter Sunday: sunbeams, synthetic hair, a Hans Holbein postcard (Jane Seymour/Queen of England, 1513-1537) and a further progress view of my current painting, Strait-laced, acrylic on canvas, diptych, 55.5 x 22.5 cm.

Unfortunately my studio chair is out of action, so work has temporarily ground to a halt. (See below).

Directly following is an overview of other works in progress, snapped in the lead up to Easter. Image on postcard: Jan van Eyck, Portrait of a Man (Self-Portrait?) 1433. All works are fairly near completion, if Alice can stay off my chair for long enough. Oh, well, what do I care? Do your worst, Alice - within the hour we’ll be gone. We’re heading to our friend Tim Gresham’s house for hot cross buns, homemade by his partner, Gaye Britt, followed, no doubt, by a surfeit of chocolate eggs.

Happy Easter everyone!