Deborah Klein's Art Blog
'I like a view, but I like to sit with my back turned to it.' Gertrude Stein 1874-1946
Wednesday, October 28, 2026
IMPRESSIONS: 45 Years in Print
Thursday, October 8, 2026
Print Council of Australia 60th Anniversary Auction
The Print Council of Australia’s 60th Anniversary Auction goes live from today, Thursday 8 October, at 10 am.
An extraordinary assortment of over 160 prints and works on paper have been donated by artists from all over the country, among them my work The Heavens Declare (2), 2022, linocut with chine collé. Don’t miss this golden opportunity, not only to grab yourself a bargain (or maybe two - or even more), but also to offer much-needed support to the PCA. Earlier this year we came perilously close to losing this vitally important organisation, and need to ensure it never happens again.
About the Print Council of Australia
The Print Council of Australia (PCA) is the national advocacy and membership association for printmaking, works on paper and book arts. Founded in 1966, the PCA is celebrating its 60th anniversary in 2026. For six decades, it has fostered engagement between artists, collectors and institutions through advocacy, exhibitions, professional opportunities, and its journal, IMPRINT. The PCA is committed to championing the vital role of all things print.
PRINT COUNCIL ANNIVERSARY AUCTION
8-18 October 2026
Bidding opens: 10am AEDT on Thursday 8 October 2026
Bidding closes: 8pm AEDT on Sunday 18 October 2026
Registration and bidding: from 10 am via GalaBid: https://app.galabid.com/printcouncil/info/31bca6ec-3c93-4c88-8d89-4b0f5ee4a37e.
Thursday, October 1, 2026
A Day at the Melbourne Royal Show
What an unexpected treat it was to bump into our friends Gracia Haby and Louise Jennison (directly below, foreground) shortly after our arrival, and spend the rest of the day together. It couldn’t have worked out better if we’d planned it that way. We were blessed with perfect weather - and the very same was true of the company.
The other notable surprise of the day was bumping into my doppelgänger, artist Deborah Klein in the Spotlight Makers Pavillion. (Below, to my right). I’m a huge fan of her intricate paper sculptures, several of which are currently on display. Deborah, who is also based in Ballarat, is the 2026 Melbourne Royal Show Artist-in-Residence. I only noticed afterwards that, as true doppelgängers, we were both dressed in red and black.
(Photo credit: Gracia Haby).
For Shane Jones and I, the 2026 Melbourne Royal Show was one of the high points of the year. Thank you so much, Gracia and Louise for making it possible.
Monday, September 21, 2026
Girls Who Wear Glasses, Part 2: SUNSHADES
News Item
Men seldom make passes
At girls who wear glasses
Pictured top: Sunshades, 2026, acrylic on canvas, 30 x 25.5 cm.
Like the painting Nightshade, the focus of my previous post, the point of origin of Sunshades is a supporting character in Alfred Hitchcock’s 1951 Film Noir, Strangers on a Train - in this case, Barbara Morton, as played by Patricia Hitchcock, real life daughter of the film’s director.
In contrast to the subject of Nightshade, however, my protagonist has undergone a complete transformation - from a “good girl” and possible victim of strangulation to a fully-fledged Femme Fatale.
My reimagined portrait draws in part from Pat Hitchcock’s hairstyle in the film and also aims to indicate something of her character’s considerable smarts and feisty personality.
Despite Barbara Morton’s innate decency, the murky underbelly of society appears to hold a certain fascination for her. As part of her metamorphosis in Sunshades, Barbara’s conservative spectacles have been replaced by a racy pair of heart-shaped sunglasses. Like the spectacles showcased in Nightshade, the ‘Lolita’ glasses are based on a pair in my collection, sourced many years ago in a favourite vintage market, Chapel Street Bazaar.
For the Femme Fatale, sunglasses are more than a mere fashion accessory or useful means of disguise. Most crucially, they enable her to mask her true feelings from the hapless hero, concealing her diabolical intentions from him.
Sunshades evokes two of cinema’s most infamous temptresses. If anyone wore sunglasses better than Barbara Stanwyck in Double Indemnity (Dir. Billy Wilder, 1944), or Gene Tierney in Leave Her to Heaven (Dir. John M. Stahl, 1945), I’d like to know about it.
Sunshades is from the current series, Flowers of the Femmes Fatales. The white Calla Lily (Zantedeschia aethiopica), in the form of drop earrings, is my protagonist’s floral attribute.
To see developmental views of Sunshades, go HERE and scroll down.
Thursday, September 17, 2026
Girls Who Wear Glasses, Part 1: NIGHTSHADE
Nightshade, 2026, acrylic on canvas, 30 x 25 cm, is one of four paintings I worked on in between attending multiple sessions at the recent 2026 Melbourne International Film Festival. (Blog Post Wednesday, September 2).
The glasses featured in Nightshade are based on a pair of vintage spectacles spotted several years ago in a local thrift shop and acquired with the vague idea of utilising them as a work prop. Happily, they survived my periodic declutterring purges and I finally found a purpose for them. (Also pictured above, third from top: my self-appointed supervisor, the redoubtable Alice B. Cat).
Along with its companion work, Sunshades (the focus of my next post), Nightshade takes its point of departure from the Alfred Hitchcock film, Strangers on Train (1951), which, in turn, was based on the novel of the same name by Patricia Highsmith.
For decades, I’ve been intrigued by the film’s principal bad girl, the ruthless adulteress, Miriam. She is one of two key supporting characters who wear glasses, an unusual and, as a rule, decidedly non-glamorous accessory not ordinarily associated with the Femme Fatale. As those familiar with Strangers on Train will be aware, however, glasses are a major plot point, and feature in one of its most iconic scenes.
In the film, Miriam is played by Kasey Rogers (1925-2006). I’ve long been intrigued by her portrayal of a character who is at once sexy and repellent, coquettish and sleazy. It’s a terrifically nuanced, shamefully underrated performance.
I used to wonder why I hadn’t noticed her in anything else. As it later turned out, I had, without realising it. Rogers played the second Louise Tate, wife of Larry Tate, Darrin’s boss, in the hit TV series Bewitched from 1966 to 1972. (See below).
Kasey Rogers has done much else besides. To learn more about her, go HERE.
As an aside, Marion Lorne, who memorably plays the scatty mother of the film’s chief villain, Bruno (an electrifying performance from the great Robert Walker), would also become a cast regular in Bewitched, as Samantha’s equally scatterbrained Aunt Clara. But I digress.
Nightshade is part of the current series, Flowers of the Femmes Fatales. The flower adorning my protagonist’s raven hair is a devil's trumpet, also known as jimsonweed or thornapple, a poisonous plant from the Daturae tribe of the nightshade family Solanaceae.
Thursday, September 3, 2026
Vale Gloria Steinem
There have been too many losses recently, of people who truly made a difference. And now this…
These are just some of many photos I took at Melbourne Town Hall on 16 May 2016, when Gloria Steinem appeared there in conversation with Australian journalist, Virginia Trioli. The hall was packed to the rafters, but by an extraordinary stroke of luck, I found myself in front row centre, the best seat in the house. It was an evening I will never forget.
I can’t imagine a world without Gloria Steinem. Our debt to her is incalculable; she made so much possible for so many. May her spirit live on in all of us.
Rest in Power, Gloria Steinem.
My original blog post is here:
https://deborahklein.blogspot.com/2016/12/gloria-steinem.html?m=






















































