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Showing posts with label Pre-Raphaelite Sisterhood. Show all posts
Showing posts with label Pre-Raphaelite Sisterhood. Show all posts

Saturday, July 22, 2023

See me

A slightly belated tribute to Georgiana Burne-Jones, who was born on 21 July, 1840. 

Georgiana (née Macdonald), Lady Burne-Jones (1840-1920) was the wife and later, biographer, of eminent Pre-Raphaelite and Aesthetic Movement painter, Sir Edward Burne-Jones.  

A promising artist herself, Georgiana Burne-Jones began art classes at the Government School of Design in South Kensington and later became a student of Ford Maddox Brown

For some time, she continued to draw, embroider and sew costumes to be utilised in artists' paintings. 

In 1861, she was employed as a tile painter for the decorative arts firm Morris, Marshall, Faulkner & Co., but after the birth of her son, Philip, in October of the same year, became a full-time caregiver.

On the lot of women artists, Georgiana Burne-Jones wrote: 'It is pathetic to think how we women longed to keep pace with men, and how gladly they kept us by them until their pace quickened and we had to fall behind'. 

Pictured: See me, 2023, acrylic on canvas panel, 10 x 10 cm. The face decoration is based on a detail from the embroidered table cover Australia, c 1888, designed by May Morris, the younger daughter of Georgiana Burne-Jones’s close friend and confidante, William Morris.

Friday, May 26, 2023

Poster Girls in Collingwood

 


Pictured top: Hanging with Marie Spartali Stillman in Smith Street, Collingwood in inner city Melbourne, my old stomping ground. I wonder what William Morris and the Pre-Raphaelites would make of the setting? 

Many thanks to Paul Compton for this great shot. A cropped detail is below. 



Wednesday, April 12, 2023

Coming soon: PRE-RAPHAELITES DRAWINGS & WATERCOLOURS/IN THE COMPANY OF MORRIS

Pictured: a happy discovery in the elegant entrance alcove of the Art Gallery of Ballarat, ahead of the imminent exhibitions Pre-Raphaelites, Drawings and Watercolours from the Ashmolean Museum, Oxford and In the Company of Morris. 

On the poster, L-R: Marie Spartali Stillman, Cloister Lilies, 1891, watercolour and body colour, part of the former, and a detail from my triptych Three Women, 2021, synthetic polymer paint on linen, part of the latter.


The exhibitions open on 20 May and run to 6 August.

Credit for top photo: Shane Jones.