Spring and Summer

The small painting, Maid of Honour (final image below) made for last year’s 100 Faces exhibition at Playing in the Attic, was originally intended to serve as a study for Spring and Summer, the work-in-progress featured here. The study was sold during the run of the exhibition, but fortunately I had documented the work and was able to use the photograph for reference. The tattoo in the original work is based on selected motifs in Maids of Honour, an embroidery designed by May Morris. 

The scaled up painting allowed for the incorporation of considerably more detail and so I turned to Spring and Summer, 1900-95, May Morris’s larger, more complex embroidery panel (reproduced below), as the point of departure for the tattooed face. The completed work will be part of Decorated Women, a solo exhibition at Stephen McLaughlan Gallery, Melbourne, in December 2024. 

Tattoos have been a recurring theme in my work since the mid-1990s, beginning with the Tattooed Faces and Figures series of linocuts and drawings. In the coming weeks, I’ll share some news about some of those too. Suffice it to say at this point, it’s beginning to feel as if I’ve come full circle. 

Images from top: 

Spring and Summer (progress view), 2024, acrylic on canvas board, 30 x 30 cm;

Work in progress with primary references;

Spring and Summer 1900-95, embroidered panel by May Morris;

Maid of Honour, 2023, acrylic on canvas board, 10 x 10 cm.

Common thread

 

One of my favourite textiles by May Morris is Maids of Honour. Over the past few years the version of her embroidery featured in this post has piqued my imagination to the extent that it became the source of inspiration for a drawing, a small painting (the study for a larger work currently in progress) and most recently, a linocut (pictured top).

Recently I discovered a remarkable connection between Maids of Honour and the artist Marie Spartali Stillman, whose work appears next to mine on the poster for the upcoming exhibitions at the Art Gallery of Ballarat: Pre-Raphaelites Drawings & Watercolours and In the Company of Morris. 

On re-reading the exhibition catalogue, May Morris Arts & Crafts Designer, I noticed for the first time that the embroidery, now in the collection of Kelmscott Manor, was previously owned by Marie Spartali Stillman.

Pictured above, 1-5: 

Deborah Klein, Maid of Honour 2, 2023, linocut with Chine collé, 15 x 10 cm, Ed. 40.

Deborah Klein, Maid of Honour, 2020, ink, gouache watercolour and water soluble graphite, 42 x 30 cm. Private collection.

Deborah Klein, Maid of Honour (study), 2023, acrylic on canvas on board 10 x 10 cm. Currently part of the exhibition One Hundred Faces at Playing in the Attic, running until late May. 

Poster for the joint exhibitions Pre-Raphaelites Drawings & Watercolours and In the Company of Morris at the Art Gallery of Ballarat. The exhibitions open this Saturday, 20 May, and run to 6 August.

Maids of Honour, c. 1890, coloured silks on silk, designed and embroidered by May Morris. Collection: Kelmscott Manor, given by Frances Stillman. (Page view from May Morris Arts & Crafts Designer).