Wednesday, May 2, 2012


As all but the most deplorably inattentive followers of this blog will notice, it has had a major facelift. For the information of first-time visitors, it formerly comprised a black background overlaid with white and red text. Although I must confess to some nostalgia for the more immediate visual impact of the previous design, I was increasingly concerned that it was overpowering the general content, making information harder to locate and absorb.

Since its inception in 2008, the blog has been more than just somewhere to post information about exhibitions and other related events. It has increasingly become an extension of my practice, a place to collect my thoughts, share some of my interests and road-test new work and ideas. As the amount of information on the blog accumulated, I felt it needed to be made easier to read and navigate. It’s still being tweaked (I’m a terminal tweaker) but think it’s nearly there, and hope you do too.

If the blog partly serves as a virtual studio, my actual Melbourne studio has also been undergoing changes and is similarly in the process of being fine-tuned. After relinquishing my workspace in central Melbourne in 2011 (see blog post April 7, 2011) I set up in an idiosyncratic, but somewhat cave-like area of our warehouse apartment in Abbotsford. It soon proved to be way too small and dark. After a considerable amount of strategic planning and rearrangement, I’m now established upstairs in a lighter, airier, more private and infinitely more practicable space. Open-plan buildings have their benefits, flexibility being one of them. But they can present real challenges, especially when it comes to establishing boundaries between domestic and work areas. As an added bonus, our whole apartment feels more spacious, liveable and functional than it’s been since we moved here in 1998 - although it too is a constant work in progress.

Above, from top:

Partition wall of studio

Studio view. The ceramic statuette on the cupboard, top left is by David Pearson. On the far wall is a reproduction of Melody (Musica) c. 1890-1902 by Kate Elizabeth Bunce. To its right is my prized collection of (mostly) vintage combs and hairpins.