Yesterday we delivered my lino block to the Australian Print Workshop, well ahead of time for the APW Collie Trust Exhibition in March 2021.
For several months, right up to yesterday morning, I’ve intermittently tinkered with the image, trying to second-guess any issues that might arise during the printing process. I couldn’t help myself, despite the ever-present danger of overworking or otherwise stuffing it up. Understandably, it was a considerable relief to save the block from myself and place it in the hugely capable hands of APW master printer, Simon White. This will be the third time I’ve worked with Simon. He also editioned my prints for the 2014 APW Summer School and IMPRESSIONS 2018, the APW’s biennial fundraiser. Collaboration with Simon is always a pleasure and also tremendously instructive.
Shane and I were surprised at how relatively quiet the Melbourne streets are, despite the gradual opening up of the city. As a result, we were able to run our remaining errands a lot faster than usual, including stocking up on art supplies from St. Luke Artist Colourmen.
A highlight of our day trip was Rona Green’s delightful exhibition, currently on view in the upstairs gallery of Australian Galleries Stockrooms in Derby Street, Collingwood.
Before heading home we made a side-trip to Williamstown for afternoon tea with our dear friend, Leigh Hobbs. We were well ahead of schedule and managed some quality time by the ocean beforehand, followed by a stroll around Williamstown’s lush Botanic Gardens. It sure felt good to breathe the sea air again. It’s been awhile.