The program began with a history of the Women’s Art Register and also included invaluable advice for artists on conserving their artworks and how to leave their legacies. (The W.A.R. publication Leaving your Legacy is an essential resource). I’ve since begun to compile a long overdue update to the archive of my own work that’s held in the Register.
On a personal note, it was terrific to reconnect after far too many years with Merren Ricketson, History & Education Coordinator. (Image 3 above). Merren curated the exhibition BIAS BINDING - Women’s Art Register 1975 - 1995 (National Gallery of Victoria, 1995), which included my painting St Martha, the Patron Saint of Housewives. The exhibition and my connection to W.A.R. led directly and indirectly to several unforeseen opportunities, as well as friendships that continue to this day.
Women’s Art Register now represents over 5000 Australian-based women.
Congratulations to W.A.R. on 50 years of operation. Thank you for your tireless efforts in giving women artists a voice, for preserving their legacy and for your continuing vigilance.
The event was hosted by Creative Ballarat.
