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Monday, November 12, 2018

DRAWING STRENGTH: the sketchbook component

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Non-portrait Sketchbook (detail 1) Previewed above and below is my diminutive concertina sketchbook, delivered this very day to the...
Tuesday, November 6, 2018

Biblio Art Prize Part 2: Opening night

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At the launch of Biblio Art 2018 with my shortlisted entry,  Bell Jar Photo credit: Shane Jones The 10th Annual Biblio Art Prize , ...
Wednesday, October 31, 2018

Biblio Art Prize, Part 1

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Pictured: ‘Progeny ’, 2018, unique artist book, pigmented drawing ink, gouache and hand stitching with cloth binding, 16.5 x 91 cm (open)...
Sunday, October 28, 2018

Drawing Strength at Montsalvat

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Splendid emerald wasp woman,  2015, watercolour, 41.91 x 29.72 cm My watercolour  Splendid emerald wasp woman  is part of the fort...
Wednesday, October 24, 2018

Artist Talk, Melbourne Society of Women Painters and Sculptors

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In a shamefully belated follow-up to my post of Wednesday, September 26, huge thanks to the Melbourne Society of Women Painters and Scul...
Tuesday, October 23, 2018

FRANKENSTEIN'S WOMEN - work in progress

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Emerging from a sea of lino chips: the sixth of eight linocuts for my artist book, Frankenstein's Women, inspired by Mary Shelley...
Saturday, October 20, 2018

PASSION FOR TAPESTRY

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Red Comb #1,  2007, 39 x 39 cm, woven by Rebecca Moulton at the Australian Tapestry Workshop Collection: Tuppy Cole. Photo credit: Vicki...
Sunday, October 7, 2018

IMPRESSIONS 2018

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IMPRESSIONS 2018 , the Australian Print Workshop's biennial fundraising exhibition, is nigh. As always, it features works by a vir...
Wednesday, October 3, 2018

Royal Melbourne Show, 2018

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Above: a flashback to September 7, when Shane Jones and I were printmaking and painting judges at the 2018 Royal Melbourne Show. For t...