Deborah Klein's Art Blog

Pictured above and below are two works from a series of watercolour miniatures made especially for  PATTERNS OF COLLECTING/From the Bow...

Two of my works are part of  Encounter,  the Goldfields Printmakers portfolio presented in the Open Folio section of IMPACT 10 , the inter...

Detritus , 2018, phemograph, edition: 10. Printer: Luke Ingram My phemograph Detritus , 2018 (pictured above) is part of Thinking ...

Above and below are selected highlights from yesterday’s artist talk at Duldig Studio museum and sculpture garden, beginning with a snap...

On Tuesday Shane Jones and I visited Duldig Studio museum and sculpture garden , formerly the home of artist/inventor Slawa Horowitz-Dul...

I'm a  huge   admirer  of house museums - in fact, I'm currently exhibiting in one . For a considerable time, I've wanted ...

Installation view:  The Daughter of Time by Deborah Klein and Urn by Carole Wilson in the upstairs dressing room at Fairhall Exhibition...

Far left: artwork by Patricia Piccinini, foreground: my unbound artist book  Homo-insecta, an Unnatural History Portfolio Today is the ...

Installation view, Deborah Klein,  Homo-insecta watercolours,  My Monster: The Human Animal Hybrid,  RMIT Gallery, Melbourne. Photograph...

Memory 12,  2016, phemograph, edition 20 Memory 14,  2016, phemograph, edition 20 In the current flurry of activity, I complete...

Pictured below are progress views of my current linocut, overseen by Alice, who turns as if to ask: “Really? Is this the best you can do?”...

Memory 1 , phemograph, 2017, edition: 20, part of A DARING LOVE AFFAIR WITH HER OWN SHADOW at Gallery 125, York, WA Several of my ...

Tomorrow, Saturday 21 July, from 9 am - 4 pm, the Bower Artists - Loris Button, Louise Saxton, Carole Wilson and myself - will be amon...

At the dawning of my last day as artist-in-residence at Melbourne Athenaeum Library, here is my artist book  Progeny  in its final...