Revealing REVEAL

 

Yesterday afternoon I was briefly reunited, after heaven knows how many years, with my oil pastel Red Gown, 2003. (See previous post for further information). The drawing is part of REVEAL: WORKS FROM THE PERMANENT COLLECTION, currently on view at Federation University’s  Post Office Gallery, Ballarat. Many thanks to Amy Tsilemanis for the above photo.

Scroll down for selected installation views. Apologies for reflections in the works under glass.

Exhibiting artists: 

Dean BOWEN | Jon CAMPBELL | Antoinetta COVINO-BEEHRE | Rebecca GRIEG | Dale HICKEY | Robert JACKS | Cody JOY | Deborah KLEIN | Bruno LETI | Lewis MILLER | Sally MILLER | Vera MOLLER | Josh MUIR | John R. NEESON | Arron OLLINGTON | Lin ONUS | Wendy STAVRIANOS | Guy STUART | Noela STRATFORD | Barbara WEIR | Deborah WILLIAMS

The exhibition, which runs in conjunction with the Australian Museums and Galleries Association Conference (AMaGA) closes today, Saturday 21 September. Opening hours: 12.30-3.30 pm. 

REVEAL

It has been brought to my attention (thank you, Dr. Carole Wilson) that my drawing Red Gown, 2003, has been included in this all too brief exhibition at Post Office Gallery Ballarat, alongside works by the illustrious artists listed below.

The exhibition is timed to coincide with the AMaGA National Conference 2024, held this week across several iconic Ballarat venues. Accordingly, the gallery has extended its opening hours for the run of the conference.

The image and following text are from Federation University Australia’s website.

REVEAL: WORKS FROM THE PERMANENT COLLECTION

WED 18 SEP - SAT 21 SEP 2024

Dean BOWEN. Jon CAMPBELL. Antoinetta COVINO-BEEHRE. Rebecca GRIEG. Dale HICKEY.  Robert JACKS. Cody JOY. Deborah KLEIN. Bruno LETI. Lewis MILLER. Sally MILLER. Vera MOLLER. Josh MUIR.  John R. NEESON. Arron OLLINGTON. Lin ONUS. Wendy STAVRIANOS. Guy STUART. Noela STRATFORD. Barbara WEIR. Deborah WILLIAMS

Federation University’s Cultural Collection includes the Art Collection of over 2000 high-quality works of art, and its Historical Collection, stored and coordinated through the Mount Helen campus and the State Library of Victoria’s Ballarat Off Site Store (BOSS).

While the earliest works in the Permanent Art Collection are associated with Ballarat Technical Art School, Ballarat Teachers’ College is recognised for its concerted and determined approach to growing the Art Collection, later enhanced by generous gifts through the Cultural Gifts Program.

Covering most periods of Australian Art, including contemporary Australian prints, ceramics, design, painting and sculpture, the Art Collection predominantly features renowned Australian artists, as well as the work of staff and students associated with Federation University and its predecessor institutions.

The University’s Permanent Art Collection contributes to the intellectual and cultural enrichment of its student body, staff and the broader community, while also providing a rich and valuable resource for research.

Showcasing select works from the Art Collection, this exhibition celebrates twenty-one significant Australian artists whose work traces unseen relationships and draws on diverse lived experiences while responding to a myriad of subjects and ideas.

Image: Deborah KLEIN, Red Gown, 2003, oil pastel on paper, H 90 x W 74.5 cm

REVEAL: WORKS FROM THE PERMANENT COLLECTION

POST OFFICE GALLERY

Federation University Australia 

NE corner of Sturt and Lydiard Street Nth 

BALLARAT VIC 3350

Extended opening hours:

Wednesday 18 September: 12.30-5 pm

Thursday 19 September: 12.30-5 pm

Friday 20 September: 12.30-5 pm

Saturday 21 September: 12.30-3.30 pm

Early linocuts at Gippsland Art Gallery

Many thanks to Lesley Duxbury for these photos of two of my early linocuts, currently on exhibit at Gippsland Art Gallery, Sale, one of my favourite regional galleries.

Pictured top: Sometimes Jenny took long and lonely walks along the long and lonely beach, 1988, from the Pirate Jenny Prints suite of linocuts (1987-88). The point of departure for the work was the titular character in The Threepenny Opera, a jazz-influenced opera by Bertolt Brecht (book and lyrics) and Kurt Weill (music). It premiered at Theater am Schiffbauerdamm in Berlin in 1928. Ostensibly set in Victorian London, the opera is a savage satire of Germany’s Weimar Republic. In this series, I took Jenny out of London/Berlin and placed her in the red light district of my home town, St Kilda. (It has been done since, in 2010, as a theatre production with the great Paul Capsis as Pirate Jenny, but as far as I know, I was the first to do it)! 

Most of the works in the Pirate Jenny suite owe a debt to German Expressionism, in the case of this work, the German Expressionist film The Cabinet of Doctor Caligari, 1920, (Dir. Robert Wiene). 

The second linocut, the absurdist A Man, a Woman and a Duck, 1996, also set on St Kilda beach, is a more playful and affectionate homage to my home town. (Image 2, second from top).

Second view, top: Susan Fraser, One, two, slide, Back, two, slide, 2013, linocut. 

All works: Collection Gippsland Art Gallery, Sale.

I understand the works will be on view for three months.

Acanthus

On the easel, top: Acanthus, 2024, acrylic on canvas board, last seen on June 1 as part of Decorated Women, two giant projections towering over Ballarat’s wet and wintry streets* in White Night Ballarat 2024.

*N.B. Spring is here now, supposedly, and it’s still wet and wintry. But I digress…

Acanthus can be viewed up close and personal (and on a more human scale) in my upcoming solo exhibition at Stephen McLaughlan Gallery, Melbourne from December 4-21. Do save the date. 

Photo credit image 2: Tim Gresham 

Photo credit image 3: Shane Jones